Showing posts with label fresco. Show all posts
Showing posts with label fresco. Show all posts

Monday, August 20, 2012

Yellow: Triumph and Fall, history of color #11

Yellow is unusual in art history regarding the attitudes people had toward this hue: it was held in high esteem until did fall low.

First during medieval times yellow was replacing gold when it was too expensive for the project, like for example usage for the background in frescoes, large surfaces. Sometimes of course, gold was used on frescoes also, it depended on how much a community could spend. Yellow was a much cheaper alternative and still represented divine light. In an earlier post I wrote about symbolism of gold as representing divine light, as the color symbolism is theological). But yellow wasn't used symbolically only, also when needed to give some beautfil robe to a saint, for composition purposes, the color was used freely.

Chromatically yellow is also the lightest color from all chromatic ones. (White is non chromatic). Also it was used in illuminated manuscripts, as we see in this masterwork of medieval art: the book of Kells, from Iona, dating from the times when Irish monks spread their culture and knowledge in Europe. Columba was visiting Reichenau, as I told you before. This folio showing Christ enthroned makes use of yellow, which is fine of a color to even line the cross and painted as color of Jesus' hair. The birds are peacocks, about symbolism of this bird in this this article. The circles at the feet, surprise, surprise! Those are angels, called Thrones, often depicted as wheels, sometimes as wheels with eyes and wing, specially in medieval Byzantine art. Wanted to mention it, as they are not uncommon, and people wonder about what is it. But also can mean the heads of the nails of the cross. The book Christ is holding represents the divine law.


Christus Enthroned, Book of Kells, Ireland, library of Trinity College, Dublin, via wiki commons


 The figures are angels, one angel is a seraf as the posture of his wings indicates (lower corner on the right, will write more about angels another time). This part of a wonderful lecture later describes the peacocks too: as incorruptibility of Christ's flesh, with chalices and hosts.

Closer to Renaissance the elevation of yellow to color of light started to diminish, when art started to be more realistic, the golden backgrounds fell out of fashion. Now yellow started to be viewed as color of falshood and treason. It was used to brand those who were considered socially less acceptable: prostitutes, Jews, heretics. Jews were ordered by law to wear yellow badge. About yellow as color of prostitution I wrote already when I wrote about Mary Magdalene.

And as we see in this fresco by Giotto, yellow was assigned to bad people.Jesus has a loving peaceful face, he is dressed in red and blue, Judas in all-yellow garment.
Giotto, Kiss of Judas, Scrovegni Chapel, Padua, Italy, via wiki commons

Cathars after Albigensian Crusade were forced to wear yellow cross, as badge of shame. Of course they couldn't be Cathars by choice, they needed to provide prof of marriage and repent, than their live were saved. Repentant heretic was important, as too many heroic personalities burned on stake wasn't good advertisement for ideological side of religion. Some of  information about Cathar religion we know from writing of a Cathar convert to Catholicism. Those crosses called las debanadoras were to be worn always outside the house. It depended on the depth of involvement in Catharism judged by the Inquisition in a trial of , if a person needed to wear one cross or two (front and back). Those crosses were usually six inches wide and had height of eight inches. Unless one was of aristocratic birth, the badge of shame was to be worn for the rest of someones life. Many simply didn't comply, or were unrepentant. It was not a simple badge of shame:Cathars didn't like the cross as a symbol, this refusal of the symbol was written in their religious philosophy. It was much more cruel punishement than a known more widely and younger scarlet letter for adultery. Following link will bring you the wikipedia articles about Cathars and yellow cross http://en.wikipedia.org/wiki/Cathar_yellow_cross 

As for heresies: they were not considered a religious offenders only, but in Western Europe heresies were viewed also as treason against the state, and considered anarchy. This was also one of the  reasons why it was relatively easy to prosecute those who didn't conform. Rulers were offended by heresies, specially because almost every heresy also criticized materialism of the status quo, preached poverty or renunciation of material world, Catharism did it to.





Friday, August 10, 2012

Reichenau: the Lost Glory and the Holy Blood Relic

Once Richenau was a monastic island, one big and famous monastery with over twenty chapels and churches, monks dormitories, gardens and scriptoria. Not much is left form its former glory, but still worth a trip. During my visit at the Lake of Constance several years ago in June, Reichenau Island was warm and full of nature's riches. Sweet cherries sold at the roads close to farms were sweet and warm form the sun, and gardens were greening with salads and other vegetarian delights. My photos don't do justice. The farms are small, island itself is small, and everything seems simply charmingly rustic. In the reeds I could hear birds. I went to what is  today UNESCO heritage site, Sankt Georg church, Oberzell, to see what is left from the former glory of Reichenau Abbbey. The monastic island once had 20 monasteries, 25 churches and chapels, and seven hundred monks were dedicated to cultural work. Today only three churches are left.

Columban (or Colomba in Latin)  the famous monk of Ireland came to the area in 610, but was not successufl in converting the Allemain pagans to new religion, went back to the Island Iona, today Scotland.Iona was a monastic island, well known today for the Book of Kells. Hundred years later, Pirin with whom is bound the simmilar legend like with St Patrick- expulsion of all snakes for the island-was the founder of the abbey  in 720,  just shortly after St Gallen was founded.

 Reichenau once was a monastic island, like Iona, had Benedictine Abbey, big and influential.It had the biggest library in the West. In its scriptorium many illuminated books were created, during the X and XI century it was a largest and most influential center of manuscripts creation, possessing huge library, very famous than, and school of painting. Renowned scholars of the day (among them Strabo) and men of great talent worked and lived there. The style of the manuscripts written and illuminated in the abbey is called Reichenau style. It is characterized by simplicity of design and soft, pastel-like colors.

 Click on the link to see an example of illuminated manuscript from Reichenau.
And another example, this time full codex, you can see every single page, in the collection of Walters Art Museum, Reichenau Gospel

And here is the splendid crozier from Reichenau, today at Victoria and Albert Museum in London.The first crown of German emperor was also made here.

And here is Sankt Georg church.  Often is seen on pictures surrounded by field of salad or sunflowers, I didn't have such luck.

Reichenau Abbey, Sankt Georg church,  Oberzell, Reichenau Island, Germany

Reichenau, Oberzell, St Georg basilica, Ottonian murals


The name Riechenau means in old German Rich Island, and it was really fitting. In addition precious relics were donated, important thing during those days, among them a crucifix containing blood of Christ, as was there, also the pitcher form wedding of Cana. Any blood relics were  very important. Still today in the treasury of St Mary and Marcus church,  there are some objects which are preserved, not as much of them as in the times of glory. Pitcher of Can is there, blood relic is in a preserved in the church of Mary, and it is presented in procession Monday after  Trinity Sunday ( don't know the day).



Reichenau, Sankt Georg church, interior with Ottonian murals, by Heidi Fuchs


Sankt Georg church, murals dating from the times of the Ottonian Renaissance. I apologize for the quality, but the light conditions are not favorable for photography. Could't use flash, by principle, and hate when people do, not good for the ancient paintings.




  Carolingian Renaissance was time of great learning, development of scholarship and arts. One of the renaissances predating Italian Renaissance, more famous and influential. What happened to this once famous abbey, center of learning spreading its culture wide? Bishops of Constance mismanaged it when he was in charge of it, starting during XVI c. also the fame of competing St Gallen not too far from the area was a downfall, in addition the forced secularization (XVIII c. finished beginning XIX c.) was a final blow: monks needed to leave, the library of precious manuscripts was send to museums. Over twenty churches and chapels were demolished with dynamite. And act of iconoclasm for sure, this time the secular one.

Here are some grave stones from the  St Georg church.


The glory of Reichenau abbey is lost, but what we have left is beautiful anyway!

 And in the garden of St Mary and Mrcus church is the plate which honors poet and scholar Walahfrid Strabo, (lived during the first half of the IX c.) mentioning that he wrote the first book about gardening in Germany describing 440 plants for healing and for cooking

And what about Ottonian renaissance? It was fueled by closer contact with Byzantium, where the traditions of Antiquity were still alive.And the schism between the Orthodox Christianity and the Latin one was not there, the church was still united. This came because emperor Otto had a Byzantine wife, Theophanu, learned and literate. (He himself was illiterate). Theophanu was an intelligent ruler who brought progressive Byzantine ideas, used diplomatic skills and learned in Byzantium strategies to make her place in history. There were also other learned and influential women of those days, princess Theophanu was the first one. From the family of the emperor there were also women who greatly supported art and learning.

Click here to go to UNESCO's description of Reichenau as the world heritage Site

There is another side in Reichenau: holy blood relic. About it tomorrow.